CompetitionCompetition Fortezza da Basso, National Centre for Arts and Crafts, Florence, Italy (1967)
Perugini himself describes the project as:
‘The Fortezza da Basso has a definitive and objective aspect: “it is a prototype of functionality and formal quality” and not a container to be filled with other objects.
Starting from this objective vision of reality, the project focuses on an anti-object solution or rather on visualization. One of the formative process of the object itself.‘ Perugini G., Progetti e Ricera, p. 97
Perugini saw the design not just as yet another exhibition design or like many others an empty shed to be filled with the exhibits. He envisioned a space that is three-dimensionally dynamic, able to respond, being recombined to facilitate a variety of functions. The movable elements were meant to respond to different requirements of space. They were controlled by an electronic brain that controlled the sliding and turning elements and moved them with electromagnetic plates.
These ideas have been heavily influenced by Perugini’s own research and interest in a cybernetic architecture, one that can be controlled by a central computer. These ideas reoccur in both the Cybernetic Hospital 1967and the Vienna Competition.